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MebroukTheCat
Hello! I'm Mabrouk Yessad, an Algerian artist and a Flash animator.

Mebrouk Yessad @MebroukTheCat

Age 20, Male

Student

Amizour, Algeria

Joined on 7/10/18

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Looking for Workers

Help Wanted - Animators 4 Hire!

What's up, everyone? I'm Mabrouk Yessad, and I'm looking for someone to animate the Family Guy part... Yes, I'm working on a reanimated scene from the South Park episode, 'Cartoon Wars: Part One'. Yeah, I know the episode is very controversial due to its themes, but I do like it, despite how outrageous it could be.

So, here's one scene from the upcoming cartoon:

https://www.youtube.com/watch?v=-iiZhAMveBA


Required:

  • Adobe/Macromedia Flash (Maybe, from Flash 5 to Flash CS6, but please don't use Adobe Animate. However, I highly recommend 30 fps, because that's what I chose for current animations after switching from 20 fps since 2024)
  • High-level animating/artistic skills
  • Accurate Lip-Sync movement
  • One more thing, here's the audio clip: [Click]


Optional:

  • Comedy World assets pack from Wrapper Offline (Because its art style is notably inspired by that of Seth MacFarlane in his cartoons like Family Guy, American Dad, and the Cleveland Show)


Forbidden:

  • Any involvement of Generative AI (You have all the necessary skills to draw or animate anything that comes to your mind. Why would you need a fucking text-to-image model to do all of that, aside from being faster and spending less time? Haven't you watched these Jellybox shorts for the Animation Workers Ignited and understood what they said about AI slops?)


Why do I need your help?

  • Working alone on a project like that is literally a pain in the ass. It's so fucking exhausting and insufferable, and I have to examine almost everything to make it feel perfect.
  • I want to shorten the production time of my Flash-animated project, so I can focus on the rest of the project without worrying about how long it will take to finish everything.
  • If you admire my creative artworks & animated stuff, and still wonder why I didn't get enough attention despite the hard work, then maybe you can help me become popular, and in return, I would give you credit for the collaboration.


So yeah, if you feel like this project fits your idea very well, then I'd be glad to hire you to collaborate. Once you're finished with the clips, you can send them to me as FLA files so I can check them later and see if they're cool.


Also, I had an idea for a darkly comedic remake of the Pretty Blood: Red Snow miniseries called Rouge Neige, along with a late-night programming block for Canal J called Canal S and inventing a heterosexual ship Chester (Bunnicula) and Victoria (Zip Zip) whose portmanteau name is Chestoria, but considering I was too busy to do shit like these, I would like to leave it here:

[Rouge Neige], [Canal S] (Also, here's the then-updated logo from 1 year ago), & [Chestoria]


Stay tuned, y'all! Don't forget to stand with animation and support indie animators like me!

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Once upon a time... Somewhere on Newgrounds. There was a series of three Flash animations called "Baby Basher" that was uploaded by @MakoSucks back in the 2000s... The first one was released in 2003, and it was the original "Baby Basher", the second one was called "Baby Basher: REDUX" released in 2005, and later somehow deleted the same year, and the third one was "Baby Basher: EVIL" released back in 2007... With an easter egg. Three of them show a loop of a guy in a bondage suit bashing crying newborn babies in each of their heads. A little decade later, when these fucking pussy-ass crybabies from the GoAnimate & Logo Kids community discovered it, they started bashing the shit out of the creator and falsely accuse him of promoting child abuse, just over the animation's content... But considering that the last installment's easter egg was revealed that the reason behind Baby Basher being more offensive was the creator's decision of ragebaiting more cowards rather than his fetishistic arousal for blood and gore, the message suddenly hit the rock bottom, as it turns out that his violent cartoon finally did its great job years later, but low and , he just had to realise it to take advantage and celebrate his success. End of the story!


Moral of the story: Sometimes, when the work you've created has caused more outrage than expected, it doesn't actually mean that it's ruining its chance of being successful. That's just how the "No Such Thing as Bad Publicity" trope actually works.


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